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Finally, the sequel to the international bestseller and one of the most classic movies of all time, The Graduate, has arrived.
At the end of Charles Webb’s first novel, The Graduate, Benjamin Braddock rescues his beloved Elaine from a marriage made not in heaven, but in California. For over forty years, legions of fans have wondered what happened to the young couple after The Graduate’s momentous final scene. The wait is over.
Eleven years and 3,000 miles later, Benjamin and Elaine live Westchester County, a suburb of New York City, with their two sons, whom they are educating at home. A continent now stands between them and the boys’ surviving grandparent, now known as Nan, but who in former days answered to Mrs. Robinson. The story opens with the household in turmoil as the Westchester School Board attempts to quash the unconventional educational methods the family is practicing. Desperate situations call for desperate remedies—even a cry for help to the mother-in-law from hell, who is only too happy to provide her loving services—but at a price far higher than could be expected.
At long last, the unforgettable characters that made The Graduate such a classic are back …and they’re better than ever—including, of course, the extraordinary Mrs. Robinson. Wryly observing the horrors and absurdities of domestic life, Home School has all the precision and wit that made The Graduate such a long-lasting success.
Praise for Charles Webb and Home School:
"There's a lot of sharp, funny dialogue....those who remember the good old days will have some fun." --Hartford Courant
“Charles Webb is a highly gifted and accomplished writer.” – Chicago Tribune
"Brilliant...sardonic, ludicrously funny." --The New York Times on The Graduate
“Charles Webb's sequel to The Graduate sparkles with as much wit and invention as the original. Throughout the book, everything – dialogue, characterization, even incident – is pared down to a minimum, and yet the result, far from being undernourished, hums with richness and vitality. So here’s to you Mrs. Robinson, and to Charles Webb for doing such a fine job of resurrecting her.” --Sunday Telegraph (UK)
“[Home School] offers a witty and bitingly accurate tale of suburban frustration whose slightness is integral to its charm.” --Daily Mail (UK)
“Distinctive, wry, spare and beautifully modulated.” --Daily Telegraph (UK)
“Forty years overdue, the sequel to The Graduate was worth the wait. A great read.”
--The London Paper (UK)
“By utilizing the same wry humor and pinpoint characterization of the first novel, and by delving even further into the dark motives of the iconic Mrs. Robinson, Webb has made this continuation of a classic believable and entertaining.” --The Works (UK)
- Sales Rank: #1374844 in Books
- Brand: Thomas Dunne Books
- Published on: 2008-01-08
- Released on: 2008-01-08
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.13" w x 6.06" l,
- Binding: Hardcover
- 240 pages
Features
From Publishers Weekly
It's one of modern pop culture's great mysteries: What happened after The Graduate's Ben and Elaine busted out of Elaine's church wedding and fled the world of hypocritical convention personified by her mother, Mrs. Robinson? In this sequel to his seminal 1963 novel, Webb's droll answer is that, 11 years on, they've settled down to a quiet suburban life in New York's Westchester County. Their sole antiestablishment gesture is to home-school their sons, Matt and Jason, using progressive educational nostrums that lead to open-minded debates over Jason's desire to study the French Revolution by building a backyard guillotine. When a crisis arises that only her legendary wiles can resolve, Mrs. Robinson—now primly called Nan—re-ensconces herself in their lives and guest room. Horrified, Ben and Elaine figure that a dose of the counterculture will expel the dragon lady, so they invite into the house a family of hippie home-schoolers so organic that the mother still breast-feeds her seven-year-old daughter. Armed only with his stammering earnestness, Ben tries to protect his family from an improbable alliance between Nan and the let-it-all-hang-out '70s. (That was exactly right, the best possible response, he reassures Jason after the lad gently declines a swig of breast milk.) Webb crafts both a wicked sendup of the post-Vietnam cultural revolution and an acute satire of the romantic associations surrounding his characters and the generation-defining film, slyly suggesting that Ben and Elaine are the squarest people of all. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
"Graduate sequel charms." -- Chicago Sun Times
"Shamelessly entertaining." --The Seattle Times
"Webb crafts both a wicked sendup of the post-Vietnam cultural revolution and an acute satire of the romantic associations surrounding his characters and the generation-defining film." --Publishers Weekly "...sure to satisfy those clamoring for a Graduate sequel." --Kirkus Reviews "Wry, funny, and hugely satisfying...with a lightness expressed with eloquence and hard-won sincerity." --BlackBook magazine
About the Author
Charles Webb was born in California. His first novel, The Graduate, was made into the acclaimed film. Six years ago he moved to the UK to write a novel based on an English character, which was published as New Cardiff. He and his wife Fred live in Hove, Sussex.
Most helpful customer reviews
11 of 11 people found the following review helpful.
"Love turns some men's minds to mush ..."
By Paul Hickey
In Charles Webb's superb new book "Home School," a clever and thoroughly entertaining sequel to his classic novel "The Graduate," a lot has happened since Benjamin Braddock rescued the fair Elaine Robinson from the prospect of a loveless marriage and eloped with her to parts unknown 40+ years ago. And yet Webb's new story of the happy couple is as fresh and satirical as ever.
Set in 1974, in Westchester County, New York, where Ben and Elaine moved into her late father's house to elude the depraved Mrs. Robinson, "Home School" opens with a simple plot device that shows the main characters still struggling to maintain their idealism and integrity in a world of suburban conformity. Their first challenge is how to beat the local school authorities who are insisting that Ben and Elaine abandon their then-experimental approach to teaching their children, Jason and Matt, at home.
Faced with an implacable deadline to return the boys to standardized classes, Ben resorts to desperate measures and makes a late-night phone call to his nemesis, Mrs. Robinson, so that he can enlist her help in a plan to blackmail the school principal with a sex scandal. For her part, Mrs. Robinson - now calling herself "Nan" and long since denied contact with her grandsons - agrees. But from the beginning it's clear that she is scheming to use this as an opportunity to pursue her own mischievous goals by getting her own guest room where she can insinuate herself back into the Braddocks' lives.
To complicate matters further, Ben and Elaine are also subjected to a visit by some very eccentric friends who share their interest in home-schooling, although with decidedly different results for their messed-up offspring. In fact, Garth and Goya prove to be a couple of "professional hippy" slackers who are as annoying as they are smug. This creates even more household tension as Goya has an awkward habit of continuing to breast-feed her nine-year-old daughter, Nefertiti, and older son Aaron, to the evident discomfort of their hosts. Much to Elaine's dismay, however, Ben apparently feels that Garth and Goya are fellow free-thinkers on the subject of enlightened education, and he is initially reluctant to ask them to leave.
The rest of this slight but charming tale revolves around the drama inherent in restoring family harmony, standing up for one's beliefs, and trying to find some balance between the two. If the plot sounds superficial, it isn't, and the author's ear for dialogue has rarely been better. Webb does a particularly nice job of giving Elaine some of the best lines in the book, and showing how Ben's rather nefarious methods of making his case return to haunt him in the end. Throughout the story, there are fascinating narrative threads that explore everything from the modern obsession with consumerism and the importance of valuing authenticity over phoniness to the need for people to remain true to their own principles, regardless of the cost. And yet the writing is so brisk and filled with a sense of good humor that it does not come across as didactic or tedious. On the contrary, the events described are conveyed in a natural style that never feels contrived or mannered.
As Mrs. Robinson observes in the final pages, "Love turns some men's minds to mush," but "Home School" mines a rich vein of comedy in that essential truth. Indeed, Webb sets up a kind of poetic justice in his last, ironic plot twist, where Ben is faced with a horrible choice in which it appears he can only save his marriage by being unfaithful to his wife. The way he negotiates that test of his character leads to the novel's most satisfying conclusion, and one that readers are as apt to remember as they do the last scene of "The Graduate."
For more than a generation, cynics and romantics alike have wondered what became of Ben and Elaine after that bus sped them from the church where they so narrowly escaped the materialistic fate of their parents. Now we know the final chapters of their lives together turned out to be as rewarding as anyone could have hoped when their marriage began. Thank you, Mr. Webb, for a job well done. The promise that your most famous lovers once represented seems fulfilled, and their place in contemporary fiction assured.
25 of 26 people found the following review helpful.
Here's to you, Mr Webb
By S. P. Wiatrowski
I've always been irritated by the fact that all anyone ever remembers about The Graduate is the seduction of the protagonist by the archetypal Older Woman Mrs Robinson. While of course this is a pivotal aspect of the story, the book and film have so much more to say about alienation and obsession. I reread the novel recently and was particularly taken by its anti-consumerist stance, especially given it was published in 1963, before the ideas it presented became truly trendy.
These themes are picked up again in Home School, which stands alone as a well-conceived continuation of the lives of the characters first introduced in The Graduate 44 years ago. The book is set 11 years after the tumultuous events of that novel. Ben and Elaine are still together and now have two young boys whom they are teaching at home so that they don't have to go through the educational system that Ben is still chafing against.
Home School is a fine example of Webb's droll style and ability to record the minutia of life we cling to in stressful times; the arguments while making coffee or brushing teeth, the need to maintain the quotidian while our lives threaten to fall apart. The story takes some surprising turns and I had a strong sense that these characters mean as much to Webb now as to the young man who wrote the first novel so many years ago. Certainly there is a youthful vigour in the writing, and the book is at times laugh out loud funny.
This is not some pointless cash-in sequel, but a fine and mature novel that complements its predecessor but can be read without any knowledge of what went before.
And yes, Ben and the marvellously monstrous Mrs Robinson have a rather interesting trip down memory lane that brings the novel to a deeply satisfying conclusion.
9 of 12 people found the following review helpful.
Why?
By Jerika
That's the question that kept occurring to me as I read this short-story-packaged-as-a-novel: why did we even need a sequel to a story that was wrapped up quite well in the first place?
It's difficult to go into the other "why"s without spoiling too much, but they come thick and and fast from the very beginning: why would Mr. Robinson have left his house to Ben and Elaine? Why has Ben remained the weak-willed man-child he was in The Graduate, and apparently not grown as a character? Why so much back-and-forth repeating of each other's lines of dialog? Why do Ben and Elaine's young boys speak with the vocabulary, wisdom, and insight of 45-year-olds? Why would any halfway sane, reasonable person tolerate such incredible abuses by unwanted houseguests for even 10 minutes before calling the police? The whole thing comes off as a cheap and silly sitcom, with characters reduced to puppets. Another reviewer pointed out what an excellent job the first novel did of exploring themes of alienation and obsession, and giving the reader glimpse of the complicated inner workings of each of the characters. Why, then, has Mrs. Robinson been reduced here to a 1-dimensional stage villain? And why the horribly trite deus ex machina at the end? (Trust me - it makes no sense for at least 2 or 3 reasons.)
At least I checked it out from the library, so I don't have to add "Why did I pay good money for this?" to my list.
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