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Guitar Zero: The Science of Learning to be Musical, by Gary Marcus Gary F. Marcus
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Using the tools of his day job as a cognitive psychologist, Gary Marcus becomes his own guinea pig as he takes up the guitar. In a powerful and incisive look at how both children and adults become musical, Guitar Zero traces Marcus’s journey, what he learned, and how anyone else can learn, too. A groundbreaking peek into the origins of music in the human brain, this musical journey is also an empowering tale of the mind’s enduring plasticity.
Marcus investigates the most effective ways to train body and brain to learn to play an instrument, in a quest that takes him from Suzuki classes to guitar gods. From deliberate and efficient practicing techniques to finding the right music teacher, Marcus translates his own experience—as well as reflections from world-renowned musicians—into practical advice for anyone hoping to become musical, or to learn a new skill.
Guitar Zero debunks the popular theory of an innate musical instinct while simultaneously challenging the idea that talent is only a myth. While standing the science of music on its head, Marcus brings new insight into humankind’s most basic question: what counts as a life well lived? Does one have to become the next Jimi Hendrix to make a passionate pursuit worthwhile, or can the journey itself bring the brain lasting satisfaction?
For all those who have ever set out to play an instrument—or wish that they could—Guitar Zero is an inspiring and fascinating look at the pursuit of music, the mechanics of the mind, and the surprising rewards that come from following one’s dreams.
- Sales Rank: #7264183 in Books
- Published on: 2012
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .83" w x 5.31" l, 1.10 pounds
- Binding: Paperback
Review
“Guitar Zero is a refreshing alternation between the nitty-gritty details of learning rock-guitar licks and Mr. Marcus's survey of the relevant scientific literature on learning and the brain. For those who look forward, in 'retirement,' to honoring the lifelong yearnings they have neglected, Guitar Zero is good news.”
—Wall Street Journal
“[Guitar Zero] looks far more deeply into the ways our brains rewire themselves and find ways to compensate for certain gaps or deficits in our abilities. In the process of demonstrating these, Marcus sounds an encouraging note (pun intended) for older readers who have always wanted to do something but have never had time.”
— Los Angeles Times
"This enjoyable blend of music appreciation, science and personal exploration commands a new respect for how the brain and body responds to the promise, and shock, of the new."
—Kirkus Reviews
"Jimi Hendrix meets Oliver Sacks in this great new science book."
—Very Short List
"A delightfully inspiring, charming, and detailed musical journey that explodes myths of human limitation, while revealing that the fountain of youth very well may be made of wood and played on six strings."
—Richard Barone, musician, author of Frontman (Richard Barone, musician, author of Frontman )
"Gary Marcus, one of the deepest thinkers in cognitive science, has given us an entertaining and enlightening memoir, filled with insight about music, learning, and the human mind."
—Steven Pinker, author of The Better Angels of Our Nature
(Steven Pinker, author of The Better Angels of Our Nature )
"Captivating and filled with insight, GUITAR ZERO is a look at the challenge of personal reinvention by Gary Marcus, one of our leading psychologists. Whether you are a music lover or not, if you care about reaching your own potential, you should read this book."
—Dr. Drew Pinsky, host, Dr. Drew, Lifechangers, and Loveline (Dr. Drew Pinsky, host, Dr. Drew, Lifechangers, and Loveline )
"Marcus is one of the smartest psychologists around, a deep thinker and an eloquent writer, and the story he tells is informed by the best science of perception and learning and evolution, talent and effort, genius and frustration and success. If you have ever dreamed of becoming a musician, you simply must read GUITAR ZERO."
—Paul Bloom, author of How Pleasure Works (Paul Bloom, author of How Pleasure Works )
"I enjoyed GUITAR ZERO immensely. Marcus has not only intensified the process itself but simplified the definition of one's dedication to it. His elaborate illustration will certainly cause many of us to better appreciate the gifts we've been blessed with."
—Pat Martino, four-time Grammy nominee (Pat Martino, four-time Grammy nominee )
About the Author
Gary Marcus studies evolution, language, and cognitive development at New York University, where he is a professor of psychology and the director of the NYU Center for Child Language. The editor of the Norton Psychology Reader and author of three books about the origins and development of mind and brain, Marcus has written articles for The New York Times, Wired, Discover, and The Wall Street Journal, and has appeared on radio and television programs around the globe.
Most helpful customer reviews
136 of 141 people found the following review helpful.
Learning to Become a Muscian
By Book Fanatic
This is an interesting book. It's easy to read and tells a fairly compelling story about a 40 year old professor who always wanted to be a musician finally taking the plunge. This book is a story about human learning told through the perspective of music. The specifics are music and guitar, but that's really not what the book is about.
The Amazon description includes this sentence: "Guitar Zero stands the science of music on its head, debunking the popular theory of an innate musical instinct and many other commonly held fallacies."
Not so. The author specifically states he believes in innate musical talent and he counts himself as one is who lacking even normal levels. Part of what makes the book interesting his his struggle against this lack and ultimately the degree of progress he makes despite this obstacle.
I think this book will be of interest to those who are musically inclined but please be aware that this is most certainly not in any respect a how-to book. This book does not teach you how to play the guitar or any other musical instrument. Instead it is a rather inspiring story of someone who followed his heart fairly late in life and what he learned in the process.
112 of 119 people found the following review helpful.
Practice Doesn't Make Perfect
By Fl!p Breskin
I'm enjoying this book a lot. I've been teaching guitar to adult beginners for nearly 40 years which is a privilege, because it means I get to be in the presence of courage on a daily basis. Gary chronicles his personal journey as a adult beginner on guitar, but from the perspective of an expert on learning & language acquisition, with all the understandings his profession have given him. He encourages all learners to just KEEP GOING; keep trying. Guitar is complicated. So is music. Gary's understanding of the specifics of what's hard about it, and strategies for making the most of practice time, are well worth the time it takes to read. Practice doesn't make perfect; it makes permanent. If you can make each note beautiful, you can make a whole piece beautiful. On the other hand, you can't learn to ride a bicycle with it standing still. You've got to do a certain amount of falling down. And it's more fun with friends. And most of all, it's not too late!
Fl!p Breskin
co-founder, Puget Sound Guitar Workshop
73 of 77 people found the following review helpful.
Music and the middle-aged brain
By Angie Boyter
This book wasn't quite what I had expected, but I wasn't disappointed.
Cognitive psychologist Gary Marcus, who clearly has a history of being "challenged" musically, decides as he approaches the age of 40 to learn to play the guitar. A serendipitous sabbatical from his usual gig teaching at NYU gives him enough leisure that he takes on the project seriously. Guitar Zero (a pun on the popular video game Guitar Hero, for those like me who didn't get it)recounts his adventures, which include playing in a rock band with 11-year-olds at a music camp and MANY MANY hours of practice.
I had expected a memoir of a middle-aged scientist observing himself learning a new skill, which I got, but Marcus also explores many facets of the science of music, such as whether talent or practice is more important, what kinds of music people like and do not like (I was pleased to have my own preferences supported by finding out that the "most unwanted song" would be sung by an operatic soprano.), and how experts and novices differ when they listen to music.
No knowledge of music theory is necessary to enjoy this book. Marcus does a good job of explaining the theory needed along the way, but I do not believe he spends so much time on it that it would annoy a reader who does not need the explanation. As someone who is a contemporary of Marcus' father, I was a little at sea when it came to many of his references to musicians I genuinely had never heard of, and I would have appreciated definitions of pop music guitar terms like "riff" and "lick", but he does talk about Bob Dylan and even mentions the Andrews Sisters.
I picked up a lot of fascinating information from Guitar Hero and was incredibly impressed with what Marcus accomplished as a guitarist. Maybe I should pull out that guitar that has been sitting in the closet for the past 30 years....
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