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Matt Scudder is finally leading a comfortable life. The crime rate's down and the stock market's up. Gentrification's prettying-up the old neighborhood. The New York streets don't look so mean anymore.
Then all hell breaks loose.
Scudder quickly discovers the spruced-up sidewalks are as mean as ever, dark and gritty and stained with blood. He's living in a world where the past is a minefield, the present is a war zone, and the future's an open question. It's a world where nothing is certain and nobody's safe, a random universe where no one's survival can be taken for granted. Not even his own.
A world where everybody dies.
- Sales Rank: #212305 in eBooks
- Published on: 2009-10-13
- Released on: 2009-10-13
- Format: Kindle eBook
Amazon.com Review
You would think that by the 14th novel in a series, an author might become a bit bored with his characters, a bit sloppy in his writing. Thankfully, Lawrence Block is no such writer. Matt Scudder, in his 14th appearance, is as sharp and entertaining as he is in such mysteries as Eight Million Ways to Die and A Dance at the Slaughterhouse. Scudder is one of the few dicks out there with a fully fleshed-out personality; he's not insensitive to the mayhem around him, and his fears are well founded and realistic. After all, as the title boldly states, we live in a world where everybody dies.
Settled into married life, sober, and finally a legit private eye (the state granted his license), Scudder is prepared to become a respectable high-priced detective working for New York City lawyers. But when his old buddy, Mick Ballou, comes to him because two of his runners end up murdered, Scudder finds himself sinking back into the muck of the underworld. While dodging thugs who are out to put a stop to his investigation, Scudder must figure out who has it in for Ballou.
The writing in this novel is elegant--equally supple in describing the gibbous moon as it is in sorting out Scudder's feelings on the murder of a close friend, or when recounting a rather gory eye plucking. The dialogue is snappy and true to life. Lawrence Block once again proves he's worthy of the title Grand Master of Mystery. So be sure to set aside a chunk of time before you sit down to read this novel, because you're not going to be able to tear yourself away. --Jenny Brown
From Publishers Weekly
The body count is indeed high in this latest Matt Scudder tale, which is also the best since A Walk Among the Tombstones (1993)?resonant, thoughtful, richly textured and capped by a slam-bang windup. At the center of the case is Matt's old buddy, Mick Ballou, the murderous and hard-drinking Irish mobster with a deeply philosophical streak who is one of Block's most enduring creations. Two of Mick's henchmen have been killed in what should have been a routine liquor hijacking. After Scudder helps Mick bury the bodies at the mobster's upstate farm, he finds he has been targeted himself. Two hoods try to rough him up on the street, then an old friend, Matt's sponsor at Alcoholics Anonymous, is gunned down in a restaurant after being mistaken for Matt. It soon becomes clear that someone from Ballou's past is aiming to destroy him, and Matt, caught in the crossfire, has to try to determine who's behind the mayhem. He does so in his usual ruminative way, working it out with wife Elaine, streetwise sidekick TJ and old cop comrades who are now, because of his friendship with Ballou, against him. In the end, Matt has to stand alone with Ballou to put a stop to the vendetta in a blaze of gunfire. Block's seamless weave of thought and action, and his matchless gift for dialogue that is true, funny and revealing, have seldom been on more effective display. The pages leading up to the climax have an almost Shakespearean feel for human resignation in the face of mortality.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
The prolific Block (e.g., Tanner on Ice, LJ 7/98) is well known among mystery fans for two series: one featuring Bernie Rhodenbarr and the other Matthew Scudder. This is the 14th Scudder tale, and by now the recovering alcoholic ex-cop has become respectable, with a wife and a PI license. When his best friend, an Irish gangster, finds himself the target of an unknown assassin, Scudder begins asking questions and soon joins the hit list as bodies begin to turn up. As usual, Block shows that actions have consequences?past events come back with a vengeance, and Scudder's interior conflicts drive the series. The dialog is unusually stiff, but Block has won nearly every mystery award, his fans are legion, and any new Scudder story is sure to be in demand everywhere.
-?Roland C. Person, Southern Illinois Univ. Lib., Carbondale
Copyright 1998 Reed Business Information, Inc.
Most helpful customer reviews
24 of 24 people found the following review helpful.
a worthy entry in a great series
By Beauregard
I read "Everybody Dies" in a single sitting, and was as involved in the story as I have been in any of Block's previous Scudder novels. I certainly think that this book is an improvement over the last couple of stories, which lacked intensity and the edgy, fascinating Scudder we have grown used to. While "Everybody Dies" may ultimately lack the haunting power of the best entries in the series--for my money, "Eight Million Ways to Die," "When the Sacred Ginmill Closes," and "A Dance at the Slaughterhouse," it has some of the same grim intensity as those books. At their best, Block's Scudder novels almost enter the horror genre--he walks a fine line between mystery, suspense, and outright terror. No one does this as well as he does. Block seems to be consciously trying to go back to what made his series work so well in this volume--adding much more violence, raising the personal stakes for Scudder tremendously over the last couple of books, and having him explicitly reject the professional "respectablility" that somewhat alienated many of his longtime fans, I think, in the last couple of books. A minor criticism might be that we never get to encounter the main villain directly, but the action in the final sequence is so explosive and riveting that I didn't even realize that until later. Keep up the good work, Mr. Block.
0 of 0 people found the following review helpful.
Even Death Brings No Peace
By John F. Connors
Block's character, Matthew Scudder, is loyal to a fault (as usual) and becomes entangled in a life or death battle with yet unknown enemies of his old pal, Mick Ballou. Mick's violent past and penchant for murder have never stopped Scudder from spending quality time with him but never before has he been paired with him in a situation that he knew would require the taking of lives. Some person, or persons, are after Mick and it soon becomes evident that it is personal and not part of the shady business world in which Mick flourishes. The book opens on a dark note, i.e. the burial of two of Mick's murdered "employees" in an upstate farm acreage by Scudder and Mick and, as the story unwinds, their murders mark the beginning of a blood feud like no other. The author does a fine job of giving the reader just enough insight and information to solve the mystery right along with the characters - but the surprises are there just the same. I think this is the best of the Scudder series....and that is saying something.
6 of 6 people found the following review helpful.
Even Block's 'less than best' is better than most
By Doug Vaughn
There are no bad Matthew Scudder books. While I agree thatEverybody Dies is not as good as some of the previous Scudder books,Lawrence Block on any bad day can out write almost anyone else doing this kind of thing. There is a familiarity of place, character and action about these books that always satisfies. The writing is spare and evocative and seems perfectly tuned to the violence and the moral ambiguity of the world that Scudder inhabits.
I don't know what others sense as lacking in this book, and I doubt that I can put my own impressions clearly, but it seems that as Scudder's domestic scene has become more stable, some edge has been lost from the character. I think I liked it better when his woman was still turning tricks and he seemed more lost and unhappy. It added a dimension to the stories that I miss.
Nevertheless, I will continue to read Block's Scudder series as long as he wants to turn them out. They are a fine way to pass a few hours
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